In stock

Blues Harmonica

Ergonomically shaped soundboards with a flowing design on all sides
ABS comb body with internal reed plates and a surrounding plastic lip – particularly beard/lip friendly
Smooth stainless steel sound thanks to the rounded soundboard geometry
Particularly stable and durable stainless steel reeds
Fast tone response and low air consumption thanks to precise fine-cutting technology for the reed plate channels and an additional valve to improve the response of the draw note in channel 2
100% corrosion-free due to the use of stainless steel for the reeds, soundboards, screws, rivets, and nickel silver reed plates.

Seydel ORCHESTRA S

Name: Seydel ORCHESTRA S
Brand: Seydel
SKU: 200032788-00
Price: 54.00 EUR
Availability: InStock

Item No.: 200032788-00

54,00 €

pieces

incl. 19% VAT (Warenpost)

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Description

Product Information

Category S-Z:

Seydel Blues harmonicas
Series (Harmonicas):

ORCHESTRA Steel
Key:

A| G| Low F| Low C| Low D
Reeds Material:

stainless steel
Comb Body:

plastic
Tuning:

Orchestra

Product Description

Solo tuning in a 10-hole format: the ORCHESTRA S is the perfect melody instrument in a compact size.

Play all the notes of the major scale over two and a half octaves in the familiar 10-hole format. The ORCHESTRA S offers even more: Instead of starting with the root note, it begins a half octave lower. Blues harmonicas tuned to Richter tuning lack some notes of the scale in the lower register that are present on the ORCHESTRA S. These can be played as usual without having to bend them down. The root note of the major scale is marked with a cap marker – this is where the major scale begins (3 bubbles).

This makes the ORCHESTRA S a compact melody instrument that lets you take your favorite songs anywhere. The note arrangement is the same as on chromatic harmonicas, making the ORCHESTRA S also very well suited for learning the chromatic playing concept. Blues harmonica players will also find it ideal, as the Orchestra S plays beautifully in minor (3rd position) and, due to its solo tuning, sounds very similar to a chromatic harmonica. Extending the scale below the root note opens up fantastic possibilities for improvisation across the entire blues progression (one draw corresponds to the second position, i.e., the root note of the dominant). Furthermore, all notes of the blues scale are available or can be reached with bending – perfect for soulful improvisations in minor keys.